Berlin, Warschauerstraße

The walk between Warschauerstraße and my room at a student's residence at Ostbahnhof was like playing a ramshackle piano on the dislocated tiled floor. That, whenever I walked the tiled floor. There was also this trip down the stairs from the high bridge at Warschauerstraße, where you could fuck around the dirt underneath, fuck up a lad or a chick who wouldn't complain about the sour smell; then walk the narrow vanishing path while any short of tick could get attached as it jumped out of the weeds which now and ever tried to erase the walkway; pass the tumbledown cottage, once --if ever-- a kind of train relay station; already near to the student's residence the huge Berghain disco stands, over and over again chosen the best one in the world, whoever decides it. The companion as good: any drunkard who got so far; a couple, an orgy shook the bushes, laughed the waxing waning moon which slipped roundly at either side; some children playing dirty vodka or rum sat on the curb of a road driving nowhere.

For a last time: back to the stairs descending from the high high bridge over the train rails, the bridge itself being Warschauerstraße. And the stairs hanging held by an armless night, with all the majesty of a suicide drop. And this was my preferred way back home.

For a last time, I say, cause they aren't there anymore. Now only a wailing of wind rocks the bridge, the soul. And my drunk steps, and this void. And I must walk back playing the quivering tiles, which soon won't quiver anymore. And as I pass by I see the old path changed into a neat BMX rink. The relay station is now being build into a railway museum or whatever. Yeah, the disco is still there. You can get ice cream inside. And whoever it chooses, s/he'll choose it again as the best one in the world. But people like me, the beaten downs, are not allowed in anymore. Instead, mama kids pretending to be whores but who wouldn't fuck --even suck a shit-- when sunk on the bitter night.

So this is what it means the fall of the Berlin wall. Capitalism as a busy beaver working back and fort, to and fro; fixing up whatever soviet disruption remains. Like a come of age of the whole city, mature enough that it doesn't need me anymore.